BRITISH VOGUE – “I can make breakfast – I make good deviled eggs,” Timothée Chalamet tells British Vogue’s editor-in-chief Edward Enninful, as they slide into a booth at a vegan diner in the October cover star’s hometown, New York. At present, that’s about the limit of Chalamet’s culinary expertise (he’s been too busy racking up acclaimed performances to spend much time in the kitchen), but he’s hoping to expand his repertoire of dishes now that he’s 26. “As I adultify that’d be a good thing to get good at,” he says.
Chalamet may struggle to find a gap in his schedule to devote to it. After his outing as a teenage cannibal in Bones & All – his second project with Italian auteur Luca Guadagnino – he’s set to appear in Wonka, a Willy Wonka origin story from Paddington director Paul King, and a chance for the Chalamet fandom to see their beloved sing and dance. “I’m trying to go where it’s not obvious to go,” he says of the eclectic CV that has set him on the path to becoming the actor of his generation. “I feel like Wonka is symptomatic of that.”
Then, of course, there’s his other new role: British Vogue cover star. Chalamet becomes the first man to fly solo on the front of an issue – a choice Enninful describes as a “no-brainer”. Famously a fashion lover (“You have such an innate sense of style,” Enninful tells the star), the set of a Vogue shoot feels like a natural place for Timothée to find himself. Still, actually seeing himself on the cover feels “extraordinary”, he says. “And weird. And just an honour.”
BRITISH VOGUE – At 26, Timothée Chalamet is already a consummate, cool-as-they-come movie star. As he gets set to become the actor of his generation, Giles Hattersley goes in search of the real boy wonder. Photographs by Steven Meisel. Styling by Edward Enninful.
By Giles Hattersley
He arrives, a princeling in jeans and a rock-metal T-shirt, bounding sprite-like from one of those blacked-out Cadillac tanks preferred by the famous (reluctant or otherwise). It’s June in New York and Timothée Chalamet’s hometown is gently sweltering. But, for once, the paps are nowhere to be seen and so his body language is a joy to behold, as he bounces into Champs, a vegan diner in Brooklyn, somehow channelling both a street-style star and Buster Keaton.
We’re shooting a Vogue video. He enters with curls un-frizzed, a smile that reaches all the way to his eyes and a head to shoulder ratio rarely glimpsed outside of children’s drawings. In a swift half-decade, this publicity-averse, sensitive, ambitious, inscrutable dreamer has become both art-house stalwart (Call Me by Your Name) and box-office king (Dune). Then something odder (certainly rarer) occurred. A baton was placed in his hand, passed down the decades by dint of James Dean and River Phoenix, David Cassidy and Leonardo DiCaprio: Chalamet became boyfriend to an entire generation. In fact, it was DiCaprio (in a moment of near-literal baton passing when they first met in 2018) who bequeathed Timmy his career rule: “No hard drugs and no superhero movies.” So far, so good. Give or take. Oh, to be 26 and Hollywood’s most wanted.
Continue reading The Chalamet Effect
Timothée was interviewed for TIME magazine’s next generation leaders issue. Check out the interview and photos below!
Magazines & Scans > Magazines from 2021 > Time (October 25 – November 01, 2021)
TIME – Timothée Chalamet and I are on the run, chasing down Sixth Avenue on a bright September day in search of a place to talk. The restaurant in Greenwich Village where we had planned to meet ended up getting swarmed by NYU students while I was waiting for him, chattering excitedly to one another—“Timothée Chalamet is here!” “Shut up!” “Yeah, he’s right outside!”—so, trying to avoid a deluge of selfie seekers, I bolt from the table, tapping Chalamet on the shoulder where he stands under the awning, on the phone, and we make our escape. Face covered with a mask and hoodie pulled up over his curly hair, he’s mostly incognito but still cuts a distinct enough figure that we’d better find a new location fast, and standing at a crosswalk with him, I feel briefly protective, like I should be prepared to body-block an onslaught of fans at any moment.
Continue reading Timothée for TIME Magazine
Timothée is the cover star of Document Journal‘s fall/winter issue! You can order the issue on Document Journal‘s official store. Check out the photoshoot and magazine cover below!
Magazines & Scans > Magazines from 2020 > Document Journal (Fall/Winter 2020)
Timothée Chalamet on the role of the artist in a time of social unrest and how sci-fi futures can explain the world around us
For Document’s Fall/Winter 2020 issue, he reunites with photographer Hedi Slimane six years after their first shoot and joins Document in conversation about our complicated present
Elio sighs and looks off into the distance, dispassionately turning the peach in his hand until, with a furtive glance, he pushes a finger through its ripe center, causing juice to run down his bare torso. His unfocused gaze makes it clear that his mind is elsewhere as he continues to pry it open, and, sliding the fruit against his skin, slowly guides it into his pants—and fucks it. Elio’s lust turns to shame when his lover Oliver, having found him asleep with the battered peach by his bedside, discovers what he has done. “I’m sick, aren’t I?” Elio asks, desperate and embarrassed by the heights of his desire. Oliver observes Elio with amusement, grinning deviously before he takes the peach into his hand, plunges his own finger into the hole, and brings it to his lips to taste what has been left behind.
This was the world’s introduction to Timothée Chalamet, whose breakout role as Elio in Luca Guadagnino’s 2017 film Call Me By Your Name skyrocketed him into the spotlight, earning him an Academy Award nomination for Best Actor. The awkward sensuality of the scene—Elio’s misplaced longing, his sudden arousal and clandestine exploration—could have been merely shocking in less capable hands, yet Chalamet’s performance renders the moment one of poignant erotic angst, charged with all the raw vulnerability and absurdity of adolescent desire.
Continue reading Document Journal Magazine (Fall/Winter 2020)
Timothée was interviewed and photographed for ShortList.com. Check out the interview and photoshoot below (or at SL).
SHORTLIST – Timothée Chalamet would like to apologise for breaking your heart last year; for making you cry fat, salty tears while you watched him cry fat, salty tears at the end of his Oscar-nominated turn in Call Me By Your Name.
He is sorry that his depiction of Elio Perlman and his sexual awakening, set against the humid haze of a lazy summer in north Italy, was so devastating that people still come up to him with one hand clutched to their chest, gasping at the mere sight of him. He’s nothing short of grateful that so many people found the peach scene – that peach scene – intense, and kind of beautiful and, really, who cares if the best sex scene of 2017 was between a young man and the soft flesh of a prunus persica when said scene was so moving? Men, women, everyone needs to up their game, because Timothée Chalamet fucked a peach last year, and it was good.
But all that – the dreamy months hanging out with Armie Hammer, the bike rides, frolicking in alleyways and bonding so tightly with someone that the only thing you can compare it to is actual, soul-binding love – is in the past. “I don’t think I’ll have an acting experience as immersive as that,” he says. “I came of age as an actor during my time with Armie. The relationship that blossomed out of it is the most precious gift.”
Continue reading Timothée for ShortList
Timothée is GQ‘s March cover star! Check out the magazine cover, photoshoot and story below.
Photo Sessions > Photoshoots from 2018 > Session 008
GQ – Every once in the rarest while, a young actor shows up in a movie like an alien—anonymous and yet in possession of such preternatural talent that audiences start thinking about the actor’s future not in years but in decades. Call Me by Your Name’s Timothée Chalamet is just such an alien, and just such a once-in-a-generation talent.
Continue reading The Arrival of Timothée Chalamet