Timothée is the cover star of Document Journal‘s fall/winter issue! You can order the issue on Document Journal‘s official store. Check out the photoshoot and magazine cover below!
For Document’s Fall/Winter 2020 issue, he reunites with photographer Hedi Slimane six years after their first shoot and joins Document in conversation about our complicated present
Elio sighs and looks off into the distance, dispassionately turning the peach in his hand until, with a furtive glance, he pushes a finger through its ripe center, causing juice to run down his bare torso. His unfocused gaze makes it clear that his mind is elsewhere as he continues to pry it open, and, sliding the fruit against his skin, slowly guides it into his pants—and fucks it. Elio’s lust turns to shame when his lover Oliver, having found him asleep with the battered peach by his bedside, discovers what he has done. “I’m sick, aren’t I?” Elio asks, desperate and embarrassed by the heights of his desire. Oliver observes Elio with amusement, grinning deviously before he takes the peach into his hand, plunges his own finger into the hole, and brings it to his lips to taste what has been left behind.
This was the world’s introduction to Timothée Chalamet, whose breakout role as Elio in Luca Guadagnino’s 2017 film Call Me By Your Name skyrocketed him into the spotlight, earning him an Academy Award nomination for Best Actor. The awkward sensuality of the scene—Elio’s misplaced longing, his sudden arousal and clandestine exploration—could have been merely shocking in less capable hands, yet Chalamet’s performance renders the moment one of poignant erotic angst, charged with all the raw vulnerability and absurdity of adolescent desire.
Continue reading Document Journal Magazine (Fall/Winter 2020)
Timothée was interviewed and photographed for ShortList.com. Check out the interview and photoshoot below (or at SL).
SHORTLIST – Timothée Chalamet would like to apologise for breaking your heart last year; for making you cry fat, salty tears while you watched him cry fat, salty tears at the end of his Oscar-nominated turn in Call Me By Your Name.
He is sorry that his depiction of Elio Perlman and his sexual awakening, set against the humid haze of a lazy summer in north Italy, was so devastating that people still come up to him with one hand clutched to their chest, gasping at the mere sight of him. He’s nothing short of grateful that so many people found the peach scene – that peach scene – intense, and kind of beautiful and, really, who cares if the best sex scene of 2017 was between a young man and the soft flesh of a prunus persica when said scene was so moving? Men, women, everyone needs to up their game, because Timothée Chalamet fucked a peach last year, and it was good.
But all that – the dreamy months hanging out with Armie Hammer, the bike rides, frolicking in alleyways and bonding so tightly with someone that the only thing you can compare it to is actual, soul-binding love – is in the past. “I don’t think I’ll have an acting experience as immersive as that,” he says. “I came of age as an actor during my time with Armie. The relationship that blossomed out of it is the most precious gift.”
Continue reading Timothée for ShortList
The New York Times released an interview featuring Timothée and his Lady Bird co-star Saoirse Ronan. Check out the interview below!
THE NEW YORK TIMES – “Want to know what I call him?” Saoirse Ronan asked, pointing at Timothée Chalamet, who had just joined us at the table and was shrugging off his coat. “Pony,” the actress said, “Because he’ll come up to Greta and me and nuzzle us.”
“Greta” is the screenwriter and director Greta Gerwig, making it a high-class stable: All three are nominated for an Oscar at this year’s Academy Awards. And as if on cue, Mr. Chalamet lowered his head like a baby foal and nestled it gently beneath Ms. Ronan’s jaw. “It’s quite disarming,” she said with a laugh. “My Pretty Pony!”
Continue reading Coming of Age on the Big Screen